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Minolta SRT 201 35mm Camera Bundle with extra lenses, etc. - $200 (MARCELLUS)
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Minolta SRT 201 35mm CAMERA
The Minolta SRT 201 (often listed as the SRT-201) is a classic, all-mechanical 35mm SLR film camera introduced by Minolta in 1975. Renowned for its robust "tank-like" metal build, it features a match-needle light meter, a built-in hot shoe, and compatibility with Minolta's excellent manual-focus MC and MD lenses.
Key Specifications
• Type: 35mm single-lens reflex (SLR)
• Lens Mount: Minolta SR mount (MC and MD lenses)
• Shutter: Horizontal cloth focal-plane with speeds from 1 sec to 1/1,000 sec, plus Bulb
• Metering: Through-the-lens (TTL) Contrast Light Compensator (CLC) metering
• ISO/ASA Range: 6 – 6,400
• Flash Sync: 1/60 sec
• Battery: Originally a 1.35V mercury battery. Modern replacements include the WeinCell MRB625 or an alkaline/silver-oxide 1.5V battery (though 1.5V may require a meter calibration or adjustment to maintain exposure accuracy).
Core Features
• Full Manual Control: The camera operates entirely without a battery except for the light meter, making it incredibly reliable.
• Match-Needle Viewfinder: The viewfinder displays the selected shutter speed and aperture. You simply align the "needle" with the "ring" inside the viewfinder to get the correct exposure.
• CLC Metering: Features Minolta's Contrast Light Compensator system, which uses two photocells to provide highly accurate exposure readings, especially in high-contrast scenes.
• Creative Tools: Includes a mechanical self-timer, depth-of-field preview button, and a multiple exposure capability.
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LENS 1:
The Minolta MD Rokkor-X 45mm f/2 is a highly popular, vintage manual-focus prime lens introduced in 1978 alongside Minolta's XG series of SLR film cameras. It is widely celebrated by vintage gear enthusiasts for its ultra-compact "pancake" profile, excellent center sharpness, and incredible portability. Because of its unique 45mm focal length, it sits right in the "Goldilocks" sweet spot—offering a slightly wider, more natural field of view than a standard 50mm, closely mimicking the perspective of the human eye.
Key Technical Specifications
• Focal Length: 45mm (Standard prime)
• Maximum Aperture: f/2.0 (Minimum aperture: f/16)
• Optical Design: 6 elements in 5 groups with a 5-blade aperture diaphragm
• Lens Mount: Minolta MD (SR) mount
• Filter Thread Size: 49mm
• Minimum Focus Distance: 0.6 meters (approx. 2 feet)
• Weight & Size: Extremely light at roughly 120–127 grams; approximately 1.6 inches long.
Performance & Characteristics
• Form Factor: Its flat, compact design makes it an incredible everyday carry option. It keeps film camera setups exceptionally balanced and low-profile for street photography, travel, and candid snapshots.
• Image Quality: Reviewers note that while it can display a bit of softness or "blooming" wide open at f/2, it becomes brilliantly sharp across the entire frame when stopped down to f/4 or f/5.6. It yields cold, high-contrast imagery with pleasing, smooth background bokeh.
• Modern Adapting: It is a highly favored vintage option for modern digital shooters. With an inexpensive manual adapter, it pairs beautifully with modern full-frame or crop-sensor mirrorless systems such as Sony E-mount, Fujifilm X-mount, and Canon RF.
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LENS 2:
The Minolta MD Celtic 28mm f/2.8 is a vintage, manual-focus wide-angle lens designed for Minolta film SLR cameras. It is a highly regarded budget alternative to the premium Rokkor lineup, offering excellent sharpness, lightweight handling, and great value.
Key Specifications
• Focal Length: 28mm (widely used for landscapes, street, and architectural photography)
• Max Aperture: f/2.8 (provides decent low-light performance and separation)
• Mount Type: Minolta MD
• Filter Size: 49mm
• Optical Construction: 5 elements in 5 groups
• Diaphragm Blades: 7 blades
• Weight: ~185 grams
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LENS 3:
The Quantaray MC Auto Zoom 85-210mm f/3.8 Macro is a vintage, manual-focus telephoto zoom lens primarily produced for older film SLRs (such as Canon FD, Pentax PK, Minolta MD, and Nikon Ai). It is a budget-friendly way to experiment with vintage telephoto and macro photography.
Key Specifications & Features
• Focal Length: 85-210mm
• Max Aperture: Constant f/3.8
• Macro Feature: Features a dedicated macro mode that allows for closer focusing (up to a 1:3 magnification ratio). To engage it, the zoom ring is usually set to 85mm and pulled back toward the camera mount.
• Build: All-metal barrel construction with multi-coated (MC) optics and a built-in retractable lens hood.
• Filter Size: 58mm
Usage & Adaptability
• Compatibility: Because it is a manual lens with vintage mounts, it will not support autofocus or modern electronic communication on modern cameras.
• Adapters: It can be easily adapted to modern mirrorless systems (e.g., Sony E-mount, Fuji X, Micro Four Thirds) using affordable, third-party mechanical adapters.
• Handling: It uses a "push-pull" zoom/focus design (though some variations utilize a two-ring system), and it's well-regarded for its relatively bright, constant f/3.8 aperture across the entire focal range.
FLASH:
The Vivitar Zoom Thyristor 2500 is a classic, vintage 35mm film camera accessory widely valued for its reliable auto-flash capability and compact design. It is highly regarded by retro photography collectors and works across many classic Canon, Nikon, Pentax, Minolta, and Olympus film SLRs.
Core Technical Specifications
• Zoom Capability: The adjustable flash head can be configured for focal lengths ranging from 35mm to 85mm to alter light focus.
• Bounce Head: Designed with an adjustable tilt mechanism, allowing photographers to bounce light off ceilings for softer, professional illumination.
• Exposure Control: Equipped with dual automatic exposure modes (measuring reflected light via a built-in front sensor) alongside standard manual mode.
• Thyristor Circuit: Utilizes an energy-saving thyristor design, which saves excess power after auto-cutoff to deliver faster recycle times.
• Power Source: Operates portably using two standard AA batteries.
⚠️ Critical Compatibility Warning
You should not use this flash on modern digital cameras (DSLR or mirrorless). Like many vintage flash models, the Vivitar 2500 can exhibit a high trigger sync voltage. Sticking it directly onto a digital hot shoe risks frying your camera's sensitive electronic internal circuits. If you wish to use it with a digital body, always trigger it off-camera using a safe wireless slave setup.